While you can still add effects like EQ and compression to the recorded guitar tracks, you will have committed to an amp cabinet sound. The advantage of recording pre-processed guitar tracks is that you will have more DSP available for additional plug-ins during mixdown. The advantage of only monitoring the processed sound is that you can alter the settings of your amp and FX completely during mixdown! If you decide later that less or more Gain or Delay would sound better for your song you can still make that happen.
#FRIEDMAN UNIVERSAL AUDIO PLUGIN FREE SOFTWARE#
If you insert the DS40 plug-in in the Console software mixer (to use the plug-in with the lowest possible latency) you have to decide whether you want to record processed guitar amp sounds (click the INSERT EFFECTS switch to REC in the Apollo console) or whether you only want to record the dry DI guitar signal, while monitoring the processed amp sound during tracking, of course (click the INSERT EFFECTS switch to MON in the Apollo console).
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The Insert Effects Switch in the Console Software:
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To play and record dry DI guitar tracks with the lowest latency and the highest quality possible connect your guitar to the Hi-Z Input of the Apollo Interface or connect a quality DI Box and Mic Preamp to a line input of your Apollo series interface. Of course the DS40 plug-in will work with any UAD-2 device, but to experience the ultra-low latency (desirable for playing in real-time) you need an Apollo interface. The Dirty Shirley plug-in was developed with the Apollo series interfaces in mind. Start with a presence setting of 5 and adjust to taste along with the Bass, Middle, and Treble tone settings. First pick an input based on your desired distortion setting - selecting L input will provide a cleaner tone, selecting H input is ideal for maximum crunch. Use this plug-in exactly like you would operate the real Dirty Shirley amplifier. Have a piece of rock and roll history right in yourDAW that feels and responds like a physical ampwhen played through Apollos lowlatency monitor-ing. Get intense amounts of distortion without the needto maintain a high output volume.Ħ.
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Faithfully emulate highly sought-after electric guitartones made famous by rocks greatest guitar players.ĥ. Re-amp less-than-perfect DI guitar tracks previouslyrecorded in other guitar-amp situations.Ĥ. Record electric guitars directly into the DAW,and then mix, edit and process without ever leav-ing the DAW environmentģ. Achieve exceptional-sounding electric guitartracks at any volume level, without the need forgreat-sounding rooms or expensive guitar mics.Ģ. The main applications for this plug-in are:ġ. The Dirty Shirleys ability to precisely respond to a players technique, and a guitars volume knob makes it a must have in the box amp sim for any UAD owner who records electric guitars. Included are separate Gain and Master Volume controls to allow for better control over crunch and clean sounds.
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Like many classic British amps, the Dirty Shirley is a one-channel amp. It perfectly emulates the iconic Jimmy Page sound as heard on early Led Zeppelin records.įriedman designed the Dirty Shirley to capture Pages famous modded-Marshall tones while serving the requirements of todays guitarist, without compromising on the vintage mojo.
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The Dirty Shirley was heavily inspired by a modified Marshall JTM-45, one of Jim Mar-shalls first guitar amps. It offers the perfect complement to any engineering session where one seeks a faithfully emulated 60s and 70s rock era guitar sound quickly and cleanly in the box and at any volume level. The Friedman DS40 has been modeled after the legendary-sounding vintage stack of David Friedmans design. Please check for general info about the system requirements, etc.įriedman DS40 (Dirty Shirley) Plug-inMeticulously modeled guitar amp, speaker simulation and FX rack. The Friedman DS40 (Dirty Shirley) amp plug-in can be installed and operated like any other UAD-2 plug-in. Friedman DS40 (Dirty Shirley) Plug-in Potent emulation of 60s and 70s Rock-Era guitar amplifier designed by David Friedmanĭeveloped by Brainworx in partnership with Friedman Amplification and Distributed by Universal Audio.